WeblogPoMo 2024 - Song 7: Rilo Kiley - Portions for Foxes

It was really hard to just pick one Rilo Kiley song to share in this series.

It would be hard to pinpoint even a single album to share, because all of them made a meaningful impact on me in high school and college.

One of my least favorite questions to answer is “what is your favorite [x]?”

It doesn’t even matter what X is. Color. Desert. TV show. Vacation spot.

I haven’t been able to answer this question in years because I instantly become paralyzed by the question’s parameters.

Favorite musical artist?! In what context?

My favorite artist to work out to is Eminem.

My favorite artist when working through depression is EKKSTACY.

My favorite artist when I’m hanging out with my kids is Bluey.

My favorite artist when I’m in the zone at work is Daft Punk.

But if you are asking me to have to pick a that felt the most constant in my life, part of nearly every day since high school?

For me, that’s Rilo Kiley.

More Adventurous was among the first CDs I bought online. I still have a 128kbps rip in my iTunes library. It has a little skip during A Man / Me / Then Jim which now feels weird to not hear when I listen to the album on iTunes or vinyl.

More Adventurous was the soundtrack to the road trip Rob and I took sophomore year of college to Iowa and Madison. We got lost using the iPhone 3Gs’s GPS technology, ending up in the town of University, Iowa instead of the University of Iowa. Portions of Foxes kept us laughing as we whipped the U-turn to head back in the right direction.

The Execution of All Things was a constant during my freshman year of college, a comforting soundtrack during a rather lonely and scary time in my life. The Good That Won’t Come Out puts me right back in the tattered light rail seat that carried me to my early morning lectures for a rather challenging math class. With Arms Outstretched was one of the first songs I learned on the guitar.

The self-titled EP ends with a song called Gravity, sung with a bit of a country twang. Rob and I imagined it being sung by an 1840s prospector. It would occasionally come on shuffle when we’d be carpooling back from a sales meeting in the early days.

Under the Blacklight disappointed me when it first came out. I bought it on release day after a Tuesday shift at Best Buy. I threw it on in the car and couldn’t believe how processed and over-produced it sounded. In hindsight, I rather enjoy Silver Lining, which is about the most accessible entry point I can recommend for the band.

I saw Rilo Kiley for the first time during the tour for that album. The songs from the album were way better live.

I saw Jenny Lewis again a couple months ago when she came into town. She didn’t play any Rilo Kiley songs, which feels right for her. Her solo stuff is pretty good, I really enjoy songs like She’s Not Me and Red Bull & Hennessy and Just One Of The Guys.

But I would love to hear those other songs live again someday with the whole gang.