I mentioned in a previous post how much I despise picking a favorite of anything.

But this WeblogPoMo journey is forcing me to actually reflect on what it is I enjoy about music.

An interesting consequence is that once I am able to articulate what I like about music, I feel more comfortable in expressing my musical tastes.

So in the spirit of personal growth: I’m gonna go ahead and say that CHVRCHES is my overall favorite band of the past decade.

I own each of their four albums on vinyl, which is noteworthy considering my picky rules when it comes to vinyls.¹

Here’s what I love about each album:

The Bones Of What You Believe

The Bones Of What You Believe brings me right back to 2014, which was an exceptionally remarkable year for me.

I got married that year. Seems remarkable in and of itself that I was able to find someone to love me enough to wanna spend their life with me. It doubly rules that I love her right back.

I stood up in four other weddings that year. The summer was the last one where I saw my high school and college best friends with any sort of regularity.

I went full time with the company I started that year. We signed our first six figure deal and moved into an office. I couldn’t believe we were able to do that, and I can’t believe how proud I was of us for accomplishing that.

I suffered my first anxiety attack that year. My heart hurt so bad, I swore I was having a heart attack. Turned out it was only my fight or flight response kicking in.

I ran a marathon with my fiancée that year. I can’t believe I talked her into doing it. I did believe she could do it, though. She’s tough.

Throughout all of that, I can remember Bones blaring in the background.²

The single song that best represents CHVRCHES to me is the opening song on this album, “The Mother We Share.” I will likely never tire of this song, and someday, I will perform this song on an acoustic guitar at an open mic somewhere.

Every Open Eye

When Every Open Eye came out, I didn't like it as much as Bones. It sounds similar to Bones, but it does depart in a few ways which were hard to accept at first.

Over time, I've come to love many of the songs on the album, and "Clearest Blue" is untouchable when you hear it live.

I've seen CHVRCHES play live twice, and both experiences were incredible. I’ve heard the band described as "arena synth," complete with the kind of booming bass that reverberates deep in your soul.

Hearing the chorus of "Clearest Blue" along with pulsing strobe lights is an etheral experience.

Love Is Dead

Love Is Dead is my end-to-end favorite CHVRCHES album. It kicks off with the nostalgia-inducing "Graffiti" and ends with "Wonderland", a song about someone trapped in a cycle of anxiety and can't get out. The whole album goes hard and I’m frequently gleaning new insights when I pay attention to the lyrics.

“Graffiti” is the CHVRCHES song my kids know best. My daughter and son both sing this song loudly when it comes across shuffle, and my daughter added it to her playlist (which is about the highest honor a dad could achieve).

Screen Violence

Screen Violence, much like Every Open Eye was not my favorite when it was released. I listened to it for a few days on repeat, assuming I would grow to love it.

Sure enough, when I turn to CHVRCHES these days, I find myself drawn to songs like "California", "He Said She Said," and "Asking For A Friend."

This album will forever be tied in my memory to working on the wellness app I worked on during my time at BG. That period was one of significant transition and growth for me, and this album feels like a bit of a transition for the band as well.

Again, I’m very here for it.

If Rilo Kiley was the consistent soundtrack for me from age 16 to 26, I'd say CHVRCHES is the consistent soundtrack for 26 to 36.

Funny enough, Lauren Mayberry recently started a solo career. I hope she finds as much success as Jenny Lewis found when she went solo.³