In these latter days everybody is familiar with concepts like the carbon footprint, sustainability, and the like. Measures of the ecological cost of the things we do. One of the most irksome problems bedeviling Earth's biosphere at present is the outrageous cost of many aspects of many human lifestyles. Society is gradually and too late awakening to, for example, the reality that there is an inexcusable, untenable cost to shipping coffee beans all around the world from the relatively narrow belt in which they grow so that everybody can have a hot cup o' joe every morning. Or that the planet is being heated and poisoned by people's expectation of cheap steaks and year-round tomatoes and a new iPhone every year, and that as a consequence its water-cycle and weather systems are unraveling. Smearing the natural world flat and pouring toxic waste across it so that every American can drive a huge car from their too-large air-conditioned freestanding single-family home to every single other place they might choose to go turns out to be incompatible with the needs of basically all the other life we've ever detected in the observable universe. Whoops!
This article really lays into Elon at the end, which honestly, as Iām getting older, I feel okay with.
Also: one of my main values in life is balance, which is essentially the goal of sustainability. How can we balance our needs with the needs of our planet?
Like any parasite, our species needs to achieve some sort of symbiosis with our host. You canāt extract so much that you kill it, but you need to live at the same time, so how do you reach that balance?
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I'm a sucker for profiles on people like Conan O'Brien. The way his mind works is endlessly fascinating to me.
What intrigued me about this particular New York Times piece is his observations on agony:
Many comedians see a connection between misery and their ability to be funny, often citing humor as a survival mechanism. But after considerable therapy and reflection, OāBrien has changed his mind. Heās come to believe that not only are they not related at all, but so much stress didnāt help him be funnier. With new eyes, he has set about creating a new story. āLooking back now, I think some of my best ideas came from just goofing around,ā he told me.
He points to possibly his most celebrated writing credit: the monorail episode of āThe Simpsons,ā which many television critics agree is the greatest in the history of the show. He describes its origins in an Olympic Boulevard billboard for a monorail, leading him to write on a legal pad: āSpringfield gets a monorail. Homer likes the idea. Marge not so sure. First act: āMusic Man.ā Second: Irwin Allen parody.ā
He brought this pitch to the āSimpsonsā office, writers liked it and started adding jokes. āIt was like falling off a log,ā he said. No agonizing at all.
I have a ton of quotes on the main page of this site1, and one of them is from Eckhart Tolle: "Suffering is necessary until you realize it is unnecessary."
The more I agonize over my own life choices and what's next for me, the more I realize that I just need to let go. It's a constant push/pull; you have to be both unabashedly dogged in your pursuit of what you want, but you also need to be chill about it.
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On and on this pattern goes. A curve with a sweet spot in the middle. The optimal amount of calories to consume in a day. The volume at which you will enjoy your music most. The right brightness of light to illuminate a room. The number of friends with whom you can have a meaningful relationship.
Great points in here about finding the right balance in many areas of your life. I particularly found the running curve apt.
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